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Post Bass Drum Mic/ Overhead Mics 
Whats the best bass drum mic for rock and jazz, and then what are the best overhead mics for anything







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shure beta 52 or Blue kickballs are great for bass drums Audix and AKG make great mics I just forgot the models. Overheads I prefer large diaphragm, studio vocal mics, as overheads.








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bass drum- Audix d6 or akg d-112
overheads- akg c1000's or sure sm-81's







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I use an Audix D6 for my kick, just picked up a Blue KickBall that I use on my floor tom, and I use Audio Technica AE5100 over-heads. Choirs seem to find them comparable in sound quality to $2k+ mic's. I know I like them.








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Dr. Rodney McKay wrote:
Well, I only know one thing and that is that flying darkness that eats energy can only be very, very bad.


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would it be a preference to remove the reso head of the bass drum to achieve a full sound when recording?








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You won't get a full sound from removing your resonant head, you'll get a cardboard box sound.








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Dr. Rodney McKay wrote:
Well, I only know one thing and that is that flying darkness that eats energy can only be very, very bad.


http://www.MySpace.com/PageFive
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I use the old standard for kick: AKG D-112. We have Stapes small-diaphragm condenser mics for overheads, and I'll usually set up a couple of large-diaphragm condensers for "room" sound.

If I had unlimited money, I'd buy a matched pair of Earthworks small-diaphragm condensers and as many Neumann U-47's and U-87's as we could store.








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SGarrett wrote:
You won't get a full sound from removing your resonant head, you'll get a cardboard box sound.


haha... i've got no reso and thats it in a nut shell still, playing what i got...








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It works for some genres and not for others. And you always have to work with what you've got. Smile








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Dr. Rodney McKay wrote:
Well, I only know one thing and that is that flying darkness that eats energy can only be very, very bad.


http://www.MySpace.com/PageFive




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